Tarraxinha, often described as the “slow and sensual cousin” of Kizomba, originated in Angola and developed as a more intimate and grounded form of dance. Emerging in the late 1990s, Tarraxinha focuses on small, controlled movements, with partners maintaining a close embrace while moving primarily through their hips. Unlike the flowing, traveling nature of Kizomba, Tarraxinha emphasizes musicality, isolation, and body control, creating a more intimate connection between dancers.

Roots in Kizomba and Kuduro

Tarraxinha evolved alongside Kizomba but stands out for its unique style and approach. It emerged from Angolan nightlife and the streets, where dancers sought a more intimate, rhythm-driven dance that focused on expressing the slow beats of Kizomba music. The influence of Kuduro—another Angolan genre that involves strong beats and fast-paced movements—can be seen in the body isolations of Tarraxinha, but its pace is much slower, with dancers responding to the beats in small, precise movements.

Key Characteristics of Tarraxinha

One of the defining features of Tarraxinha is the close embrace between partners, often focusing on the lower body, with hips and legs as the center of movement. The dance is characterized by subtle body isolations and precise, slow-paced steps. Dancers express the rhythm through minimal movement, usually performed in place, with an emphasis on the connection between partners.

The music that accompanies Tarraxinha is slower, often containing heavy bass lines and deep beats that invite dancers to explore deep levels of musicality and sync with their partner. The focus is on interpreting the music through subtle, intimate movements rather than large, expansive steps.

Evolution and Global Spread

Tarraxinha gained popularity in Angola and, later, throughout the African Portuguese-speaking countries. It soon spread to Europe, particularly in Portugal and France, where Kizomba and Tarraxinha became integral parts of the social dance scene. Its close, intimate style and focus on rhythm have made it a favorite in Kizomba parties and social events around the world.

Today, Tarraxinha continues to evolve, blending with modern influences such as Urban Kiz and Afrobeat, while maintaining its core elements of musicality, body control, and intimacy. As it spreads to global dance communities, Tarraxinha remains deeply connected to its Angolan roots, offering dancers an opportunity to experience the deeper emotional and rhythmic aspects of dance.

DJ Fofo-Jah, based in Canada, has reshaped the Kizomba and Zouk music scenes by blending genres like Dancehall, Tarraxa, and Urban Kiz. With over eight years of experience, Fofo-Jah has become a prominent figure at international festivals and digital platforms, where his mixtape “200% Kizomba” has gained significant popularity.

His sets mix traditional and modern sounds, attracting a global following. Fofo-Jah’s innovative approach to music, combining Afro-Caribbean rhythms with urban beats, has made him a key influence in modern Afro-Latin music.

Style and Philosophy

Fofo-Jah’s music is characterized by experimentation and boldness. He seamlessly blends Afro rhythms with urban sounds, creating a vibrant atmosphere on the dance floor. His sets are known for their dynamism, appealing to both traditional followers and younger audiences.

International Presence

Fofo-Jah has graced the stages of major Kizomba festivals across Canada, Europe, Latin America, and Africa. His unique style has made him a role model for up-and-coming artists seeking to modernize Afro-Latin rhythms. His ability to ignite dance floors has cemented his place as one of the most sought-after DJs in the industry.

A Promising Future

As his popularity continues to grow, DJ Fofo-Jah remains a key player in the evolution of Kizomba and Zouk. His ability to merge diverse rhythms ensures that he will continue to influence Afro-Latin music in the years to come, securing his position as one of the most influential DJs of his generation​